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[vc_row enable_hue_rotation="no" use_row_as_full_screen_section="no"][vc_column width="1/3"][vc_single_image image="6161" img_size="full"][/vc_column][vc_column width="2/3"][vc_column_text] Working across a range of media including installation, sound, video and sculpture, Tim Bruniges’ artistic practice centres on creating works that explore notions of perception, the fallibility of memory and our relationship with time. Often

[vc_row enable_hue_rotation="no" use_row_as_full_screen_section="no"][vc_column width="1/3"][vc_single_image image="6162" img_size="full"][/vc_column][vc_column width="2/3"][vc_column_text] Archie’s practice includes paintings, drawings, sculpture, installation, photographs, audio, video and more recently, embeds themes of Aboriginal politics as well as broader issues concerning racism, language, identity and interpersonal relationships. Archie is also very musical

[vc_row enable_hue_rotation="no" use_row_as_full_screen_section="no"][vc_column width="1/3"][vc_single_image image="6164" img_size="full"][/vc_column][vc_column width="2/3"][vc_column_text] Erin is a Perth-based artist who works with video, drawing and sculpture, often combining these elements to make immersive or interactive installations. She is interested in built environments and, by using ideas drawn from

[vc_row enable_hue_rotation="no" use_row_as_full_screen_section="no"][vc_column width="1/3"][vc_single_image image="6165" img_size="full"][/vc_column][vc_column width="2/3"][vc_column_text] Will French was born in Melbourne and spent his childhood in Korea and Indonesia. Will has a multi-disciplinary art practice and his work carries a common thread of a wry humour and playfulness. Addressing the

[vc_row enable_hue_rotation="no" use_row_as_full_screen_section="no"][vc_column width="1/3"][vc_single_image image="6166" img_size="full"][/vc_column][vc_column width="2/3"][vc_column_text] Leo Coyte is a Sydney-based painter whose recent work merges realistic, semi-figurative objects and bodies with abstract bursts of colour to create a kind of celebratory irreverence. He mines bits and pieces of various

[vc_row enable_hue_rotation="no" use_row_as_full_screen_section="no"][vc_column width="1/3"][vc_single_image image="6167" img_size="full"][/vc_column][vc_column width="2/3"][vc_column_text] Darcell Apelu is a mixed-medium artist of New Zealand, European and Niuean decent. Her art practice involves moving image, sound, performance and installation and often she uses her own body and the act of

[vc_row enable_hue_rotation="no" use_row_as_full_screen_section="no"][vc_column width="1/3"][vc_single_image image="6168" img_size="full"][/vc_column][vc_column width="2/3"][vc_column_text] Kelly’s practice is research-led, process driven and informed by an inter-sectional feminist politic. Her recent projects explore perceptions of the future and alternative pedagogical models. Her practice aims to ask critical questions about performance as

[vc_row enable_hue_rotation="no" use_row_as_full_screen_section="no"][vc_column width="1/3"][vc_single_image image="6170" img_size="full"][/vc_column][vc_column width="2/3"][vc_column_text] Giselle Stanborough is an emerging intermedia artist whose practice often addresses online user-generated media and the way these technologies encourage us to identify and perform notions of self. She has a special interest in

[vc_row enable_hue_rotation="no" use_row_as_full_screen_section="no"][vc_column width="1/3"][vc_single_image image="6169" img_size="full"][/vc_column][vc_column width="2/3"][vc_column_text] Eloise Kirk’s practice oscillates between methodology and subject, drawing on the surreal nature of assemblage and collage and testing the boundaries between the romantic and the unknown. Eloise draws on the relationship between antiquated art

[vc_row enable_hue_rotation="no" use_row_as_full_screen_section="no"][vc_column width="1/3"][vc_single_image image="6171" img_size="full"][/vc_column][vc_column width="2/3"][vc_column_text] Daniel McKewen is a Brisbane-based artist whose practice investigates the intersections of contemporary art, popular culture and the entertainment and financial industries. Working across a broad range of media, his appropriative practice examines and critiques