Working across a range of media including installation, sound, video and sculpture, Tim Bruniges’ artistic practice centres on creating works that explore notions of perception, the fallibility of memory and our relationship with time.
Often taking the form of site-specific installations, the works attempt to create immersive spaces that allow for a disruption of expected temporal experience.
An ongoing concern in Tim’s practice is regeneration; the works employ loops and feedback mechanisms where sonic and/or visual data is infinitely transmitted, reinterpreted and restored, pondering notions of truth, the integrity of archive and the fallibility of memory in an era increasingly reliant on the notion that all information is accessible all of the time.