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2018 Finalists

[vc_row enable_hue_rotation="no" use_row_as_full_screen_section="no"][vc_column width="1/3"][vc_single_image image="6168" img_size="full"][/vc_column][vc_column width="2/3"][vc_column_text] Kelly’s practice is research-led, process driven and informed by an inter-sectional feminist politic. Her recent projects explore perceptions of the future and alternative pedagogical models. Her practice aims to ask critical questions about performance as

[vc_row enable_hue_rotation="no" use_row_as_full_screen_section="no"][vc_column width="1/3"][vc_single_image image="6170" img_size="full"][/vc_column][vc_column width="2/3"][vc_column_text] Giselle Stanborough is an emerging intermedia artist whose practice often addresses online user-generated media and the way these technologies encourage us to identify and perform notions of self. She has a special interest in

[vc_row enable_hue_rotation="no" use_row_as_full_screen_section="no"][vc_column width="1/3"][vc_single_image image="6169" img_size="full"][/vc_column][vc_column width="2/3"][vc_column_text] Eloise Kirk’s practice oscillates between methodology and subject, drawing on the surreal nature of assemblage and collage and testing the boundaries between the romantic and the unknown. Eloise draws on the relationship between antiquated art

[vc_row enable_hue_rotation="no" use_row_as_full_screen_section="no"][vc_column width="1/3"][vc_single_image image="6171" img_size="full"][/vc_column][vc_column width="2/3"][vc_column_text] Daniel McKewen is a Brisbane-based artist whose practice investigates the intersections of contemporary art, popular culture and the entertainment and financial industries. Working across a broad range of media, his appropriative practice examines and critiques